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Stagione in corso

About

December 15 – 23 2023 | Main Stage, Teatro Massimo

Music Sergej Rachmaninov
Coreographer Jean-Sébastien Colau and Vincenzo Veneruso
Conductor Danila Grassi
Scene Designs Apolonia Polona Loborec
Costume Designs Cécile Flamand
Lighting Designs Maureen Sizun Vom Dorp
Piano Alberto Ferro (15, 17, 20, 22) / Davide Ranaldi (16, 19, 21, 23)
Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau
A new creation of the Teatro Massimo di Palermo

Duration: 1 hour 50 minutes (including a 20-minute break)

Photographs Rosellina Garbo

Cast & Music

Cast

Biancaneve Carla Mammo Zagarella (15, 19, 22) / Martina Pasinotti (16, 20, 23) Yuriko Nishihara (17, 21)
Cacciatore Michele Morelli (15, 19, 22) / Alessandro Cascioli (16, 20, 23) Alessandro Casà (17, 21)
Regina
Francesca Davoli (15, 19, 22) / Linda Messina (16, 20, 23) Francesca Bellone (17, 21)
Alberi
Vincenzo Carpino, Diego Millesimo, Andrea Mocciardini, Riccardo Riccio
La cerbiatta
Daniela Filangeri (15, 19, 22) / Sabrina Montanaro (16, 20, 23) Carmen Diodato (17, 21)
Il Diamante Giulia Neri (15, 16, 19, 21, 23) / Chiara Sgnaolin (17, 20, 22)

Diamanti solisti
Annamaria Margozzi, Michaela Colino (15, 19, 22) Chiara Sgnaolin, Michaela Colino (16, 21, 23), Claudia Bevivino, Martina Quintiliani (17, 20)
I sette minatori
Lucia Ermetto (15, 17, 19, 21, 22)/ Valentina Chiulli (16, 20, 23), Emilio Barone, Gianluca Mascia, Diego Mulone, Giovanni Traetto, Dennis Vizzini, Francesco Curatolo
Il giullare di corte
Benedetto Oliva

Music by Sergej Rachmaninov

Concerto for piano and orchestra No. 2 in C minor op. 18

Rhapsody on a theme by Paganini for piano and orchestra op. 43

Adagio from the Symphony No. 2 in E minor op. 27

Cast

March 16 – 24 2024 | Main Stage, Teatro Massimo
Ballet in three acts
Music by Sergej Prokofiev

Coreographer Thierry Malandain
Revival Coreographer Giuseppe Chiavaro
Conductor Mojca Lavrenčič
Scene & Costume Designs Jorge Gallardo
Lighting Designs Jean-Claude Asquié
Lighting Restaged by Christian Grossard
Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau

PERSONAGGI E INTERPRETI

Cinderella Martina Pasinotti (16, 19, 21, 23) / Yuriko Nishihara (17, 20, 22, 24)
Prince Michele Morelli (16, 19, 21, 23) / Alessandro Casà (17, 20, 22, 24)
Fairy Godmother Romina Leone (16, 19, 21, 23) / Linda Messina (17, 20, 22, 24)
Cinderella’s stepmother Vincenzo Carpino (16, 19, 21, 23) / Andrea Mocciardini (17, 20, 22, 24)
Genoveffa Alessandro Cascioli (16, 19, 21, 23) / Dennis Vizzini (17, 20, 22, 24)
Anastasia Gianluca Mascia (16, 19, 21, 23) / Giovanni Traetto (17, 20, 22, 24)
Dance and Ceremonial Maître / Prince’s Friend / Elf Emilio Barone (16, 19, 21, 23) / Francesco Curatolo (17, 20, 22, 24)
Father Diego Mulone (16, 19, 21, 23) / Vincenzo Carpino (17, 20, 22, 24)

Corps de Ballet and Orchestra of the Teatro Massimo di Palermo
Director of the Corps de Ballet Jean-Sébastien Colau

A production of the Volksoper Wien GmbH

Tickets

Tickets

Booking opens on February 6 2024

Price range: 14 to 100 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

Poster

Cast

October 5 – 6 2024 | Main Stage, Teatro Massimo

Music by Felix Mendelssohn
Coreographers, Scene & Costume Designs Sasha Riva and Simone Repele
Conductor Keren Kagarlitsky
Lighting Designs Alessandro Caso
Teatro Massimo Ballet and Orchestra
A new creation of the Teatro Massimo di Palermo

 

 

Tickets

Tickets

Booking opens on July 5 2024

Price range: 14 to 100 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

 

Info

July 27, 28, 30, 31 2024, 9pm | Main Stage, Teatro Massimo

Carmen (ballet)

A neoclassic ballet
Coreographer Leo Mujić
Conductor Mikhail Sinkevich
Scenes Designs Mislav Kuzmanic
Lighting Designs Aleksandar Čavlek
Assistant Coreographer, dramaturgy Bálint Csaba Rauscher

Cast

Carmen Marta Petkova
Don José Nikola Hadjitanev
Escamillo Michele Morelli
Micaëla Yuriko Nishihara
Fernanda Francesca Bellone
Zuniga Vincenzo Carpino
Mercedes Alessandro Cascioli
La madre Simona Filippone (27, 28) / Noemi Ferrante (30, 31)

Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau

Tickets

Tickets

Booking opens on May 30 2024

Price Range: 12 – 50 euro

[Ticket Fares and Info]

 

Poster

About

From 15 to 19 March 2023 |Main Stage, Teatro Massimo

Music Adolphe Adam
Coreographer José Martinez
Conductor Mojca Lavrenčič
Scene and Costume Designs Francesco Zito
Lighting Design Jacopo Pantani
Costume Designs Assistant Mario Celentano*

 

A production of the Teatro dell’Opera di Roma

 

 

Cast

Medora Maia Makhateli (15, 16) / Linda Messina (17, 19) / Carla Mammo Zagarella (18)
Conrad Jakob Feyferlik (15, 16) / Michele Morelli (17, 19) / Emilio Barone (18)
Gulnara Giorgia Leonardi (15, 16) / Martina Pasinotti (17, 19) / Yuriko Nishihara (18)
Lankadem Alessandro Casà (15, 16) / Diego Mulone (17, 19) / Alessandro Cascioli (18)
Birbanto Diego Millesimo (15, 16, 19) / Giovanni Traetto (17, 18)
Amica di Birbanto Romina Leone (15, 16, 19) / Valentina Chiulli (17, 18)
Pascià Vincenzo Carpino (15, 16, 17, 19) / Filippo Terrinoni (18)
Eunuco Giuseppe Rosignano
Coppie di corsari solisti
Chiara Sgnaolin, Gianluca Mascia (15, 16, 18)
Mathilde Marlin, Alex Gattola (17, 19)
Lucia Ermetto, Giovanni Traetto (15, 16)
Annamaria Margozzi, Dennis Vizzini (17, 18, 19)
Tre odalische
Francesca Davoli (15, 16, 18) / Michaela Colino (17, 19)
Francesca Bellone (15, 16, 18) / Sabrina Montanaro (17, 19)
Michela Mazzoni (15, 16, 18) / Chiara Sgnaolin (17, 19)

Teatro Massimo Ballet and Orchestra
Ballet Director Jean-Sébastien Colau
Maître de ballet Guido Sarno

*as part of the “Fabbrica” Young Artist Program of the Teatro dell’Opera di Roma

Synopsis

ACT I

SCENE ONE – The Slave Market
The slave trader Lankendem displays his “merchandise” to the highest bidder. The visit of the wealthy Seyd Pasha puts the slave market in turmoil. The shrewd Lankendem presents the Pasha with the most attractive slave girls, but none of them meet his taste. Then he shows him the attractive Gulnare, who he has just captured earlier on. The Pasha, enchanted by her beauty, buys her immediately and throws a bag of gold to Lankendem who rejoices. But the slave trader has saved his greatest “spoil” for last, he suddenly shows off the beautiful Medora. The Pasha is immediately captured by her beauty.
There is a group of men lingering in the square. Its leader, Conrad, the Corsair, notices Me- dora and he is immediately spellbound by her beauty. Thanks to his immense wealth, the Pasha buys Medora and carries her off to his harem. He has no suspicion of the Corsairs’ plan. Indeed, Conrad, helped by his friend Birbanto, kidnaps the young girl right in front of the furious Pasha. In the general confusion that follows, the other girl slaves are freed, and, before the arrival of the Turkish soldiers, the Corsairs manage to capture Lankendem and quickly flee to a cave by the sea.

ACT I

SCENE TWO – The Corsair’s Cave
Conrad and the Corsairs return to their cave. They are very pleased with their own bravery which allowed them not only to take the girls away from Lankendem’s hands, but to have stolen a treasure. The slave girls ask Medora to intercede on their behalf so that Conrad may set them free. He accepts, but Birbanto and some of the Corsairs, who hope to make money out of them, protest vehemently against such decision. A violent discussion breaks out, but Conrad keeps his word and the girls are declared free from slavery. Conrad and Medora, self-assured and alone, bask in their new found love. Lankendem, meanwhile, tied up in ropes, silently witnessed the discussion between the Corsairs. He approaches Birbanto and his group by offering him a secret deal. If they release him, he will reveal them a sure way to prevail over Conrad: the Corsairs accept. He tells them that he has a potion with a very strong narcotic effect, which once is sprinkled on flowers and inhaled it is highly effective… In the meantime, the lovers return happily from their moment of shared joy. Conrad, wanting to offer proof of his love to Medora and seal it, takes a flower, smells its scent, but before offering it to her… he falls into a deep sleep.
The group of the rebel Corsairs surrounds Medora, who is terrified and realises she has fallen into a trap. The Corsairs let Lankendem escape with Medora. Birbanto is about to kill Conrad who suddenly wakes up. Desperate, for the loss of Medora, he sets out on his quest swearing to save her once again from the hands of Lankendem.

ACT II

SCENE ONE – The Harem of Seyd Pasha
Finally Gulnare enjoys her new life, refusing to bend to the rules of the harem and challenging the Pasha himself: her capriciousness is full of charm, so she manages to avoid any punish- ment. No other woman in the harem dares behave like her in the presence of the Pasha. A big party is being prepared in the harem, when suddenly Lankendem arrives with Medora. The Pasha is once again captivated by the beauty of the slave and to thank the slave trader for his service, he gives him a lavish reward.
Happy to have back in his harem the two most beautiful girls slaves, the Pasha, while smoking, falls asleep. In his dreams he reaches the Jardin animé, where all the women of his harem dance around him in harmony. Suddenly he wakes up: the Corsairs have invaded the palace during his sleep and are running away with the slaves.

ACT II

SCENE TWO – The Return to the Cave
Conrad and his friends return to theirs cave. Here they celebrate Medora and Conrad’s reunion. After the celebrations, they leave for the port where the Corsairs had previously prepared a ship. They all start a new journey towards happiness and new adventures.

EPILOGUE

The Corsair Ship
The Corsair ship takes off. Suddenly a storm breaks out. On a beach Medora and Conrad are the only two survivors of the shipwreck.

About

From 16 to 23 December 2022 | Main Stage, Teatro Massimo

Music Pëtr Il’ič Čajkovskij
Conductor Ido Arad
Music Pëtr Il’ič Čajkovskij
Coreographers Jean-Sebastien Colau and Vincenzo Veneruso
Conductor Ido Arad
Scene Designs Renzo Milan
Costume Designs Cécile Flamand
Lighting Design sMaureen Sizun Vom Dorp
Assistant Coreographer José Blanco Martínez

Teatro Massimo Ballet, Orchestra and Youth Chorus

Full cast (pdf)

Programme

Synopsis

Join us for a special Nutcracker, set in Palermo!

A freezing winter, a long time ago… In the street, in front of a large house, the two Drosselmayer brothers, dressed in rags, sell dried fruits, like every winter. They are poor and alone but happy, they dance and play in front of their makeshift stall, where they sell the best hazelnuts in Palermo. But a little mouse sneaks in to steal the nuts. Pietro and Dario trap it: but in a deafening explosion, the mouse becomes a furious and hungry half-human, half-rodent creature that casts a spell on Pietro, transforming him into a wooden nutcracker. Dario, desperate, hugs the Nutcracker tightly. He hears a heart beating weakly: Pietro is imprisoned in this wooden shell, he must find a way to free him. The housekeeper comes out of the big house, picks up poor Dario, curled up on the ground with his Nutcracker, and brings him inside: she gives him new clothes to take part in the Christmas celebrations where he meets Maria, the eldest of the Hoffmann children. At the Hoffmanns, Christmas Eve is a big event. Maria and Fritz, her brother, are very excited. The atmosphere created by the candles, the refined smells from the kitchens, the presence of the majestic Christmas tree, the gifts, the dolls… everyone dances, laughs, and sings. This year Maria’s father has given her a magnificent tutu to dance in front of the guests.
During the party, Dario convinces Maria to help him break the spell of Pietro. Maria is a dreamer and loves to read: as soon as Dario hands her the Nutcracker, she feels Pietro’s heart beating inside. When the guests leave, Maria hides Dario behind the fireplace, in order to continue discussing with him the plan to free Pietro.
Shortly after midnight Maria is awakened by strange noises, like claws scraping the floor, and decides to go back to the living room to make sure that Pietro and Dario are not in danger. Arriving in the room, she discovers the monstrous mouse-man Jean-Georges who, like a ballet master, leads a corps de ballet of mice. Maria, although terrified, tries to protect the wardrobe in which the Nutcracker is hidden. But by magic the Christmas tree starts moving, the lights flicker, the wardrobe doors open. The Nutcracker, now at man-scale, is followed by a squadron of hussars, Fritz’s trusted army. The living room becomes a battlefield between the dancing mice and the Nutcracker soldiers, who try to stop them. Dario and Maria are tied up and immobilized in a chair: despite their efforts, the Dance Master Jean-Georges manages to kidnap the Nutcracker. Maria and Dario find themselves alone: he is desperate, but his friend has decided: they will immediately go in search of the Nutcracker in the Kingdom of Mice. She asks the governess, who will accompany them, to prepare a suitcase with sweets and the tutu that her father has given her. Well covered to protect themselves from the cold, the three cross the garden following the footprints of mice in the snow.
The journey seems to last for days… But they finally arrive in front of a beautiful building, the Teatro Massimo in Palermo. In one of the boxes, imprisoned by a grate, they discover Pietro asking for help. On stage the Mice dance, led by their hysterical Dance Master, who as usual is hungry and gets angry with everyone, sending them away. Maria, Dario and the governess try to free Pietro, but are discovered by Master Jean-Georges who, ravenous and furious, opposes. However, the housekeeper offers to prepare him a gigantic dinner and Maria to dance his favorite pas de deux with Dario, wearing her brand new tutu. Jean-Georges lets himself be convinced and Peter returns to human form… the dinner and the dance begins! By magic, a throng of waiters appears who in an instant set a huge table. Jean-Georges believes he is living in a dream, he has been hungry for many years and now he finds himself surrounded by Pasta, Cassate, Cannoli, Sette Veli cake and the Martorana fruit of the nuns of the Monastery of Santa Caterina, all protagonists of this great feast. During dinner, a playful Bee, attracted by the sweets, circles around the Dance Master, who runs away, frightened. The nuns try to distract the rowdy Bee with some beautiful roses, but are unable to prevent a crazy waltz between bees, butterflies, beetles and roses. The grand finale is the pas de deux between Maria and Dario, and the magical evening amidst sweets ends… but… Maria starts… she is back in the living room of the big house… she had fallen asleep while reading in front of the fireplace… Was all this only a dream? Or did it all really happen?
She immediately runs to check the toy closet: the Nutcracker is gone.
Maria opens the front door: it’s dawn, on the corner of the street Dario and Pietro prepare their stall and start to sell, like every day, the best dried fruits in Palermo.

Backstage video - getting closer to the Premiere