About
April 11 – 18 2025| Main Stage, Teatro Massimo
Cast
Giannetta Federica Maggì
Tickets
Booking
Booking opens on December 3 2024
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Dates
- 11 April8:00 PMPremiere12 April8:00 PMTurno F13 April5:30 PMTurno D15 April6:30 PMTurno Scuola
Info
September 21 – 29 2024 | Main Stage, Teatro MassimoOn the occasion of the centenary of Puccini’s death
Opera in three acts
by Giacomo PucciniLast duet and finale of the opera in the first full version by Franco Alfano
Conductor Carlo Goldstein
Director Alessandro Talevi
Assistant director Anna Maria Bruzzese
Scene & Costume Designs Anna Bonomelli
Lighting Designs Marco Giusti
Maestro d’armi Ran Arthur Braun
Costume assistant Angelica ForniTeatro Massimo Chorus, Youth Chorus and Orchestra
Chorus Master Salvatore PunturoA new production of the Teatro Massimo di Palermo
Cast
Turandot Ewa Płonka (21, 25, 27, 29) / Ewa Vesin (22, 24, 26, 28)
Calaf Martin Muehle (21, 25, 27, 29) / Angelo Villari (22, 24, 26, 28)
Liù Juliana Grigoryan (21, 25, 27, 29) / Jessica Nuccio (22, 24, 26, 28)
Timur Giorgi Manoshvili (21, 25, 27, 29) / Jerzy Butryn (22, 24, 26, 28)
Ping Alessio Arduini
Pong / Principe di Persia Matteo Mezzaro
Pang Blagoj Nacoski
Mandarino Luciano Roberti
Altoum Cristiano Olivieri
Prima ancella Gabriella Barresi (21, 25, 27, 29) / Cecilia Galbo (22, 24, 26, 28)
Seconda ancella Lorena Scarlata (21, 25, 27, 29) / Maria Luisa Aleccia (22, 24, 26, 28)
Tickets
Tickets
Booking opens on June 4 2024
Price range: 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page
Gallery
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Dates
- 21 September8:00 PMPremiere22 September6:30 PMSingle-tickets24 September6:30 PMSchool-Groups Turn25 September6:30 PMB Turn26 September6:30 PMSingle-Tickets27 September6:30 PMC Turn28 September8:00 PMF Turn29 September6:30 PMD Turn
About
May 20 – 27 2025 | Main Stage, Teatro Massimo
Richard StraussSALOMELibretto by Hedwig Lachmann, from Salome by Oscar WildeConductor Omer Meir Wellber (20, 22, 24, 27 ) / Tohar Gil (25)Director Bruno RavellaRestaged by Carmine De AmicisScene and Costume Designs Leslie TraversCoreographic Movements Liz Roche
Restaged by Carmine De Amicis
Lights Malcolm Rippeth
Cast
Herodes Charles WorkmanHerodias Anna Maria ChiuriSalome Astrid Kessler (20, 22, 25, 27) Nina Bezu (24)Jochanaan Tommi HakalaNarraboth Ewandro Stenzowski
Herodias’ Page Michela Guarrera
First Jew Michael GibsonSecond Jew Raphael WittmerThird Jew Marcello NardisFourth Jew Sascha Emanuel KramerFirst soldier/First Nazarene Benjamin SuranSecond soldier/Fifth Jew Lukasz KoniecznySecond Nazarene Blagoj NacoskiA Cappadocian Mariano OrozcoA Slave Maria Cristina NapoliTeatro Massimo OrchestraAllestimento della Irish National OperaTickets
Booking
Tickets
Booking opens on December 3 2024from 20 to 145 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page-
Dates
Info
October 22 – 29 2024 | Main Stage, Teatro Massimo
Opera in two acts by Gioachino Rossini
Libretto by Giovanni Schmidt
Conductor Antonino Fogliani
Director Davide Livermore
Assistant Director Sax Nicosia
Scene Designs Giò Forma
Costume Designs Gianluca Falaschi
Costume Collaborator Anna Verde
Lighting Designs Nicolas Bovey
Videodesign D-Wok
Assistant Conductor Nicola PascoliTeatro Massimo Chorus and Orchestra
Chorus Master Salvatore Punturo
A production of the Rossini Opera Festival and the Teatro Massimo di PalermoCast
Elisabetta Nino Machaidze (22, 25, 27, 29) / Aya Wakizono (24, 26)
Leicester Enea Scala (22, 25, 27, 29) / Mert Süngü (24, 26)
Norfolc Ruzil Gatin (22, 25, 27, 29) / Alasdair Kent (24, 26)
Matilde Salome Jicia (22, 25, 27, 29) / Veronica Marini (24, 26)
Enrico Rosa Bove
Guglielmo Francesco LuciiTickets
Tickets
Gallery
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Dates
- 22 October8:00 PMPremiere24 October8:00 PMF Turn25 October6:30 PMB Turn26 October6:30 PMOpera Turn27 October5:30 PMD Turn29 October6:30 PMC Turn
About
September 17 – 25 2025 | Main Stage, Teatro Massimo
Gioachino RossiniIL BARBIERE DI SIVIGLIALibretto by Cesare Sterbini, from Le barbier de Séville by Pierre-Augustin Caron de Beaumarchais
Conductor Riccardo BisattiDirector Stefania BonfadelliScene Designs Serena RoccoCostume Designs Valeria Donata BettellaLighting Designs Fiammetta BaldiserriCast
Almaviva Ruzil Gatin (17, 19, 21, 24) / Giorgio Misseri (18, 20, 23, 25)Bartolo Vincenzo Taormina (17, 19, 21, 24) / Giuseppe Toia (18, 20, 23, 25)Rosina Maria Kataeva (17, 19, 21, 24) / Laura Verrecchia (18, 20, 23, 25)Figaro Mattia Olivieri (17, 19, 21, 24) / Matteo Mancini (18, 20, 23, 25)Don Basilio Simón OrfilaBerta Noemi MuschettiFiorello/Ufficiale Giuseppe EspositoTeatro Massimo Orchestra and ChorusChorus Master Salvatore PunturoA Teatro Massimo New ProductionTickets
Booking
Tickets
Booking opens on December 3 2024from 22 to 165 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page-
Dates
- 17 September8:00 PMPremiere18 September6:30 PMTurno B19 September8:00 PMTurno F20 September8:00 PMTickets-only21 September6:30 PMTurno D23 September6:30 PMTurno Scuola24 September6:30 PMTurno C25 September6:30 PMTickets-only
About
October 5 – 12 2025 | Main Stage, Teatro Massimo
Alessandro Scarlatti
MITRIDATE EUPATORE
Libretto by Girolamo Frigimelica Roberti, from Sophocles’ Electra and Euriphides’ Electra
Musical Tragedy in five acts
Staged in Palermo for the first time
Conductor Giulio PrandiDirector Cecilia Ligorio
Dramaturgy Paolo V. Montanari and Cecilia Ligorio
Assistant Director Lisa Capaccioli
Scene Designs Gregorio ZurlaCostume Designs Vera Pierantoni GiuaLighting Designs Fabio BarettinCast
Mitridate Yuriy MynenkoIssicratea Francesca AsciotiStratonica Carmela RemigioFarnace Renato Dolcini
Pelopida Konstantin Derri
Laodice Arianna VendittelliNicomede Martina LicariTeatro Massimo OrchestraA Teatro Massimo New ProductionTickets
Booking
Tickets
Booking opens on December 3 2024from 20 to 145 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Pagem,,
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Dates
- 5 October8:00 PMPremiere
About
October 17 – 23 2025 | Main Stage, Teatro Massimo
Vincenzo BelliniLA SONNAMBULALibretto by Felice Romani, from La somnambule di Eugène ScribeConductor Giuseppe MengoliDirector Bárbara Lluch
Assistant Director Anna Ponces
Scene Designs Christof HetzerCostume Designs Clara PeluffoCoreographer Iratxe AnsaLighting Designs Urs SchönebaumCast
Amina Jessica Pratt (17, 19, 21, 23) / Ruth Iniesta (18, 22)Elvino Francesco Demuro (17, 19, 21, 23) / César Cortés (18, 22)Rodolfo Carlo Lepore (17, 19, 21, 23) / Gabriele Sagona (18, 22)Lisa Ilaria Monteverdi (17, 19, 21, 23) / Noemi Muschetti (18, 22)Alessio Mariano Orozco
Teresa Natalia GavrilanTeatro Massimo Orchestra, Chorus and BalletChorus Master Salvatore PunturoBallet Director Jean-Sébastien ColauA new co-production of the Teatro Real Madrid, Teatro Liceu Barcellona and the New National Theatre TokyoTickets
Booking
Tickets
Booking opens on December 3 2024from 22 to 165 euro [check ticket fares & info]Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page-
Dates
- 17 October8:00 PMPremiere18 October6:30 PMTurno Danza19 October5:30 PMTurno D
Info
La Favorite
February 24 – March 3 2019| Main Stage
Grand-opéra in four acts
Libretto by Alphonse Royer and Gustave Vaëz
Music by Gaetano DonizettiConductor Francesco Lanzillotta
Directo Allex Aguilera
Scene and Costume Designs Francesco Zito
Lighting Designs Caetano Vilela
Coreographer Carmen Marcuccio
Scene Designs Assistant Antonella Conte
Costume Designs Assistant Ilaria AriemmeTeatro Massimo Orchestra, Chorus and Ballet
A new production of the Teatro MassimoCast
Cast
Léonor Sonia Ganassi (24, 26, 28, 3) / Raehann Bryce-Davis (27, 2)
Ines Clara Polito
Fernand John Osborn (24, 26, 28, 3) / Giorgio Misseri (27, 2)
Alphonse Mattia Olivieri (24, 27, 3) / Simone Piazzola (26, 28, 2)
Balthazar Marko Mimica (24, 26, 28, 3) / Riccardo Fassi (27, 2)
Don Gaspar Blagoj Nacoski
Un seigneur Carlo MorganteGallery
Photo Rosellina Garbo
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Dates
- 24 February8:30 PMTurno Prime26 February6:30 PMTurno C27 February6:30 PMTurno Scuola28 February6:30 PMTurno B2 March8:30 PMTurno F3 March5:30 PMTurno D
About
From 17 to 24 January 2023 | Main Stage, Teatro Massimo
Music by Giuseppe Verdi
Conductor Carlo Goldstein
Director Mario Pontiggia
Scene Designs Francesco Zito and Antonella Conte
Costume Designs Francesco Zito
Lighting Designs Bruno Ciulli
Coreographer Gaetano La Mantia
Assistant Director Angelica Dettori
A production of the Teatro Massimo
Cast
Violetta Nino Machaidze (17, 20, 22, 24) / Jessica Nuccio (18, 19, 21)
Giorgio Germont Roberto Frontali (17, 20, 22) / Francesco Vultaggio (18, 19, 21, 24)
Alfredo Saimir Pirgu (17, 20, 22) / Giulio Pelligra (19, 24) / Alessandro Scotto Di Luzio (18, 21)
Flora Tonia Langella
Gastone Blagoj Nacoski
Il Barone Douphol Italo Proferisce
Il marchese d’Obigny Luciano Roberti
Il dottor Grenvil Andrea Comelli
Annina Francesca Manzo
Giuseppe Alfio Vacanti (17, 20, 22, 24) / Carlo Morgante (18, 19, 21)
Un domestico di Flora / Un commissionario Antonio Barbagallo (17, 20, 22, 24) / Enrico Cossutta (18, 19, 21)
Zingarella Francesca Davoli (17, 18, 21, 22) / Lucia Ermetto (19, 20, 24)
Matador Michele Morelli (17, 18, 21, 22) / Diego Millesimo (19, 20, 24)
Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
Synopsis
ACT I
Violetta Valéry knows that she will die soon, exhausted by her restless life as a courtesan. At a party she is introduced to Alfredo Germont, who has been fascinated by her for a long time. The guests ask Alfredo to propose a toast. He celebrates true love, while Violetta responds in praise of free love (“Libiamo ne’ lieti calici”).
Suddenly Violetta faints, and the guests withdraw. Only Alfredo remains with her and reveals his love (“Un dì, felice, eterea”). Violetta replies there is no room for such feel- ings in her life. But she gives him a camellia, asking him to return when the flower has faded. He realizes this means he will see her again the following day.
When alone, Violetta is torn by conflicting emotions — she doesn’t want to give up the way she lives, but at the same time she feels that Alfredo has awakened her desire to be truly loved (“Ah, forse è lui che l’anima”).ACT II
Violetta has chosen a life with Alfredo, and they enjoy their love in the country, far from society (“De’ miei bollenti spiriti”). When Alfredo finds out that this is only possible because Violetta has been selling her property, he immediately leaves for Paris to procure money. Violetta has received an invitation to a masked ball, but she no longer cares for such distractions.
While Alfredo is in Paris, his father, Giorgio Germont, visits Violetta. He demands that she separate from his son, as their relationship threatens his daughter’s impending marriage (“Pura siccome un angelo”). Over the course of their conversation, Germont comes to realize Violetta’s unselfish love. Violetta’s resistance dwindles and she finally agrees to leave Alfredo forever, asking that after her death he shall learn the truth (“Mor- rò! La mia memoria”).
Violetta accepts the invitation to the ball and writes a goodbye letter to her lover. Alfredo returns, and while he is reading the letter, his father appears to console him (“Di Provenza il mar, il suol”). But all the memories of his home and his happy family can’t prevent the furious and jealous Alfredo from seeking revenge for Violetta’s apparent betrayal.
At the masked ball, news has spread of Violetta and Alfredo’s separation. Meanwhile, Violetta and her new lover, Baron Douphol, have arrived. Alfredo and the Baron battle at the gaming table and Alfredo wins. When everybody has withdrawn, Alfredo confronts Violetta, who claims to be truly in love with the Baron. In his rage Alfredo calls the guests as witnesses and declares that he doesn’t owe Violetta anything (“Ogni suo aver tal femmina”). He throws his winnings at her. Giorgio Germont, who has witnessed the scene, rebukes his son for his behavior. The Baron challenges his rival to a duel.ACT III
Violetta is dying. Alfredo’s father has written to Violetta, informing her that his son was not injured in the duel. Full of remorse, Germont has told his son about Violetta’s sacrifice. Alfredo wants to rejoin her as soon as possible. Violetta is afraid that he might be too late (“Addio, del passato bei sogni ridenti”). The sound of rampant celebrations are heard outside. But Alfredo does arrive (“Parigi, o cara, noi lasceremo”). Violetta’s energy and exuberant joy of life return. All sorrow and suffering seem to have left her — a final illusion, before death claims her.
Gallery
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Dates
- 17 January8:00 PMPremiere18 January6:30 PMOpera Turn19 January6:30 PMSchools Turn20 January8:00 PMF Turn21 January6:30 PMDanza Turn22 January5:30 PMD Turn24 January6:30 PMB Turn