Calendar
The cart is empty
Order summary
Total
0,00 
Shipping
Proceed to checkout
Total
0,00 
Back to shopping
Login

About

April 11 – 18 2025| Main Stage, Teatro Massimo

Gaetano Donizetti
L’ELISIR D’AMORE
Libretto by Felice Romani, from Le philtre by Eugène Scribe
Conductor Gabriele Ferro (11, 12, 13, 16, 18) / Elia Andrea Corazza (15,17)
Director Ruggero Cappuccio
Scene Designs Nicola Rubertelli
Costume Designs Carlo Poggioli
Lighting Designs Vinicio Cheli restaged by Emanuele Agliati

Cast

Nemorino René Barbera (11, 13, 16, 18) / Galeano Salas (12, 15, 17)
Adina Desirée Rancatore (11, 13, 16, 18) / Giulia Mazzola (12, 15, 17)
Belcore Vittorio Prato (11, 13, 16, 18) / Andrea Piazza (12, 15, 17)
Dulcamara Paolo Bordogna (11, 13, 16, 18) / Francesco Vultaggio (12, 15, 17)

Giannetta Federica Maggì

 

Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
A production of the Teatro dell’Opera in Rome

Tickets

Booking

Tickets
Booking opens on December 3 2024
from 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

September 21 – 29 2024 | Main Stage, Teatro Massimo
On the occasion of the centenary of Puccini’s death

Opera in three acts
by
Giacomo Puccini
Last duet and finale of the opera in the first full version by Franco Alfano

Conductor Carlo Goldstein
Director Alessandro Talevi
Assistant director Anna Maria Bruzzese
Scene & Costume Designs
 Anna Bonomelli
Lighting Designs Marco Giusti
Maestro d’armi Ran Arthur Braun
Costume assistant Angelica Forni

Teatro Massimo Chorus, Youth Chorus and Orchestra
Chorus Master Salvatore Punturo

A new production of the Teatro Massimo di Palermo

 

Cast

Turandot Ewa Płonka (21, 25, 27, 29) / Ewa Vesin (22, 24, 26, 28)
Calaf Martin Muehle (21, 25, 27, 29) / Angelo Villari (22, 24, 26, 28)
Liù Juliana Grigoryan (21, 25, 27, 29) / Jessica Nuccio (22, 24, 26, 28)
Timur Giorgi Manoshvili (21, 25, 27, 29) / Jerzy Butryn (22, 24, 26, 28)
Ping Alessio Arduini
Pong / Principe di Persia Matteo Mezzaro
Pang Blagoj Nacoski
Mandarino Luciano Roberti
Altoum Cristiano Olivieri
Prima ancella Gabriella Barresi (21, 25, 27, 29) / Cecilia Galbo (22, 24, 26, 28)
Seconda ancella Lorena Scarlata (21, 25, 27, 29) / Maria Luisa Aleccia (22, 24, 26, 28)

Tickets

Tickets

Booking opens on June 4 2024

Price range: 22 to 165 euro [check ticket fares & info]

Info for subscribers to the 2023-24 Season at the 2023-2024 Season Tickets Page

Poster

About

May 20 – 27 2025 | Main Stage, Teatro Massimo

Richard Strauss
SALOME
Libretto by Hedwig Lachmann, from Salome by Oscar Wilde
Conductor Omer Meir Wellber (20, 22, 24, 27 ) / Tohar Gil (25)
Director Bruno Ravella
Restaged by Carmine De Amicis
Scene and Costume Designs Leslie Travers
Coreographic Movements Liz Roche
Restaged by Carmine De Amicis
Lights Malcolm Rippeth

Cast

Herodes Charles Workman
Herodias Anna Maria Chiuri
Salome Astrid Kessler (20, 22, 25, 27) Nina Bezu (24)
Jochanaan Tommi Hakala
Narraboth Ewandro Stenzowski
Herodias’ Page Michela Guarrera
First Jew Michael Gibson
Second Jew Raphael Wittmer
Third Jew Marcello Nardis
Fourth Jew Sascha Emanuel Kramer
First soldier/First Nazarene Benjamin Suran
Second soldier/Fifth Jew Lukasz Konieczny
Second Nazarene Blagoj Nacoski
A Cappadocian Mariano Orozco
A Slave Maria Cristina Napoli
Teatro Massimo Orchestra
Allestimento della Irish National Opera

Tickets

Booking

Tickets
Booking opens on December 3 2024
from 20 to 145 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

October 22 – 29 2024 | Main Stage, Teatro Massimo

Opera in two acts by Gioachino Rossini
Libretto by Giovanni Schmidt
Conductor Antonino Fogliani
Director Davide Livermore
Assistant Director Sax Nicosia
Scene Designs Giò Forma
Costume Designs Gianluca Falaschi
Costume Collaborator Anna Verde
Lighting Designs Nicolas Bovey
Videodesign D-Wok
Assistant Conductor Nicola Pascoli

Teatro Massimo Chorus and Orchestra
Chorus Master Salvatore Punturo
A production of the Rossini Opera Festival and the Teatro Massimo di Palermo

 

 

Cast

Elisabetta Nino Machaidze (22, 25, 27, 29) / Aya Wakizono (24, 26)
Leicester Enea Scala (22, 25, 27, 29) / Mert Süngü (24, 26)
Norfolc Ruzil Gatin (22, 25, 27, 29) / Alasdair Kent (24, 26)
Matilde Salome Jicia (22, 25, 27, 29) / Veronica Marini (24, 26)
Enrico Rosa Bove
Guglielmo Francesco Lucii

Tickets

Tickets

Booking opens on July 5 2024

Price range: 20 to 145 euro [check ticket fares & info]

 

 

Poster

About

September 17 – 25 2025 | Main Stage, Teatro Massimo

Gioachino Rossini
IL BARBIERE DI SIVIGLIA
Libretto by Cesare Sterbini, from Le barbier de Séville by Pierre-Augustin Caron de Beaumarchais

Conductor
Riccardo Bisatti
Director Stefania Bonfadelli
Scene Designs Serena Rocco
Costume Designs Valeria Donata Bettella
Lighting Designs Fiammetta Baldiserri

Cast

Almaviva Ruzil Gatin (17, 19, 21, 24)  / Giorgio Misseri (18, 20, 23, 25)
Bartolo Vincenzo Taormina (17, 19, 21, 24) / Giuseppe Toia (18, 20, 23, 25)
Rosina Maria Kataeva (17, 19, 21, 24) / Laura Verrecchia (18, 20, 23, 25)
Figaro Mattia Olivieri (17, 19, 21, 24) / Matteo Mancini (18, 20, 23, 25)
Don Basilio Simón Orfila
Berta Noemi Muschetti
Fiorello/Ufficiale Giuseppe Esposito
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
A Teatro Massimo New Production

Tickets

Booking

Tickets
Booking opens on December 3 2024
from 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

About

October 5 – 12 2025 | Main Stage, Teatro Massimo

Alessandro Scarlatti

MITRIDATE EUPATORE
Libretto by Girolamo Frigimelica Roberti, from Sophocles’ Electra and Euriphides’ Electra
Musical Tragedy in five acts

Staged in Palermo for the first time

Conductor
Giulio Prandi
Director Cecilia Ligorio
Dramaturgy Paolo V. Montanari and Cecilia Ligorio
Assistant Director Lisa Capaccioli
Scene Designs Gregorio Zurla
Costume Designs Vera Pierantoni Giua
Lighting Designs Fabio Barettin

Cast

Mitridate Yuriy Mynenko
Issicratea Francesca Ascioti
Stratonica Carmela Remigio
Farnace Renato Dolcini
Pelopida Konstantin Derri
Laodice Arianna Vendittelli
Nicomede Martina Licari
Teatro Massimo Orchestra
A Teatro Massimo New Production

Tickets

Booking

Tickets
Booking opens on December 3 2024
from 20 to 145 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

m,,

About

October 17 – 23 2025 | Main Stage, Teatro Massimo

Vincenzo Bellini
LA SONNAMBULA
Libretto by Felice Romani, from La somnambule di Eugène Scribe
Conductor Giuseppe Mengoli
Director Bárbara Lluch
Assistant Director Anna Ponces
Scene Designs Christof Hetzer
Costume Designs Clara Peluffo
Coreographer Iratxe Ansa
Lighting Designs Urs Schönebaum

Cast

Amina Jessica Pratt (17, 19, 21, 23) / Ruth Iniesta (18, 22)
Elvino Francesco Demuro (17, 19, 21, 23) / César Cortés (18, 22)
Rodolfo Carlo Lepore (17, 19, 21, 23) / Gabriele Sagona (18, 22)
Lisa Ilaria Monteverdi (17, 19, 21, 23) / Noemi Muschetti (18, 22)
Alessio Mariano Orozco
Teresa Natalia Gavrilan
Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau
A new co-production of the Teatro Real Madrid, Teatro Liceu Barcellona and the New National Theatre Tokyo

Tickets

Booking

Tickets
Booking opens on December 3 2024
from 22 to 165 euro [check ticket fares & info]
Info for subscribers to the 2024-25 Season at the 2024-2025 Season Tickets Page

 

Info

La Favorite

February 24 – March 3 2019| Main Stage

Grand-opéra in four acts

Libretto by Alphonse Royer and Gustave Vaëz
Music by Gaetano Donizetti

Conductor Francesco Lanzillotta
Directo Allex Aguilera
Scene and Costume Designs Francesco Zito
Lighting Designs Caetano Vilela
Coreographer Carmen Marcuccio
Scene Designs Assistant Antonella Conte
Costume Designs Assistant Ilaria Ariemme

Teatro Massimo Orchestra, Chorus and Ballet
A new production of the Teatro Massimo

Cast

Cast

Léonor Sonia Ganassi (24, 26, 28, 3) / Raehann Bryce-Davis (27, 2)
Ines Clara Polito
Fernand John Osborn (24, 26, 28, 3) / Giorgio Misseri (27, 2)
Alphonse Mattia Olivieri (24, 27, 3) / Simone Piazzola (26, 28, 2)
Balthazar Marko Mimica (24, 26, 28, 3) / Riccardo Fassi (27, 2)
Don Gaspar Blagoj Nacoski
Un seigneur Carlo Morgante

Photo Rosellina Garbo

About

From 17 to 24 January 2023 | Main Stage, Teatro Massimo

Music by Giuseppe Verdi
Conductor Carlo Goldstein
Director Mario Pontiggia
Scene Designs Francesco Zito and Antonella Conte
Costume Designs Francesco Zito
Lighting Designs Bruno Ciulli
Coreographer Gaetano La Mantia
Assistant Director Angelica Dettori

A production of the Teatro Massimo

 

Cast

Violetta Nino Machaidze (17, 20, 22, 24) / Jessica Nuccio (18, 19, 21)
Giorgio Germont Roberto Frontali (17, 20, 22) / Francesco Vultaggio (18, 19, 21, 24)
Alfredo Saimir Pirgu (17, 20, 22) / Giulio Pelligra (19, 24) / Alessandro Scotto Di Luzio (18, 21)
Flora Tonia Langella
Gastone Blagoj Nacoski
Il Barone Douphol Italo Proferisce
Il marchese d’Obigny Luciano Roberti
Il dottor Grenvil Andrea Comelli
Annina Francesca Manzo
Giuseppe Alfio Vacanti (17, 20, 22, 24) / Carlo Morgante (18, 19, 21)
Un domestico di Flora / Un commissionario Antonio Barbagallo (17, 20, 22, 24) / Enrico Cossutta (18, 19, 21)
Zingarella Francesca Davoli (17, 18, 21, 22) / Lucia Ermetto (19, 20, 24)
Matador Michele Morelli (17, 18, 21, 22) / Diego Millesimo (19, 20, 24)

Teatro Massimo Orchestra, Chorus and Ballet
Chorus Master Salvatore Punturo
Ballet Director Jean-Sébastien Colau




 

Synopsis

ACT I

Violetta Valéry knows that she will die soon, exhausted by her restless life as a courtesan. At a party she is introduced to Alfredo Germont, who has been fascinated by her for a long time. The guests ask Alfredo to propose a toast. He celebrates true love, while Violetta responds in praise of free love (“Libiamo ne’ lieti calici”).
Suddenly Violetta faints, and the guests withdraw. Only Alfredo remains with her and reveals his love (“Un dì, felice, eterea”). Violetta replies there is no room for such feel- ings in her life. But she gives him a camellia, asking him to return when the flower has faded. He realizes this means he will see her again the following day.
When alone, Violetta is torn by conflicting emotions — she doesn’t want to give up the way she lives, but at the same time she feels that Alfredo has awakened her desire to be truly loved (“Ah, forse è lui che l’anima”).

ACT II

Violetta has chosen a life with Alfredo, and they enjoy their love in the country, far from society (“De’ miei bollenti spiriti”). When Alfredo finds out that this is only possible because Violetta has been selling her property, he immediately leaves for Paris to procure money. Violetta has received an invitation to a masked ball, but she no longer cares for such distractions.
While Alfredo is in Paris, his father, Giorgio Germont, visits Violetta. He demands that she separate from his son, as their relationship threatens his daughter’s impending marriage (“Pura siccome un angelo”). Over the course of their conversation, Germont comes to realize Violetta’s unselfish love. Violetta’s resistance dwindles and she finally agrees to leave Alfredo forever, asking that after her death he shall learn the truth (“Mor- rò! La mia memoria”).
Violetta accepts the invitation to the ball and writes a goodbye letter to her lover. Alfredo returns, and while he is reading the letter, his father appears to console him (“Di Provenza il mar, il suol”). But all the memories of his home and his happy family can’t prevent the furious and jealous Alfredo from seeking revenge for Violetta’s apparent betrayal.
At the masked ball, news has spread of Violetta and Alfredo’s separation. Meanwhile, Violetta and her new lover, Baron Douphol, have arrived. Alfredo and the Baron battle at the gaming table and Alfredo wins. When everybody has withdrawn, Alfredo confronts Violetta, who claims to be truly in love with the Baron. In his rage Alfredo calls the guests as witnesses and declares that he doesn’t owe Violetta anything (“Ogni suo aver tal femmina”). He throws his winnings at her. Giorgio Germont, who has witnessed the scene, rebukes his son for his behavior. The Baron challenges his rival to a duel.

ACT III

Violetta is dying. Alfredo’s father has written to Violetta, informing her that his son was not injured in the duel. Full of remorse, Germont has told his son about Violetta’s sacrifice. Alfredo wants to rejoin her as soon as possible. Violetta is afraid that he might be too late (“Addio, del passato bei sogni ridenti”). The sound of rampant celebrations are heard outside. But Alfredo does arrive (“Parigi, o cara, noi lasceremo”). Violetta’s energy and exuberant joy of life return. All sorrow and suffering seem to have left her — a final illusion, before death claims her.