About
JuniOrchestra (Accademia Nazionale di Santa Cecilia), Massimo Youth Orchestra and Massimo Kids Orchestra
Conductor Simone Genuini / Michele De Luca
JUNIORCHESTRA OF THE ACCADEMIA NAZIONALE DI SANTA CECILIA
Conductor Simone Genuini
Woodwind Tutor Ludovica Scoppola
Music Co-ordinator Gregorio Mazzarese
TEATRO MASSIMO YOUTH and KIDS ORCHESTRAS
Conductor Michele De Luca
Music Assistant Vincenzo Alioto
Tickets
Section 1 – Full price 20 / Concession 16 / Card Under 35 10 €
Section 2 – Full price 15 / Concession 12 / Card Under 35 10 €
Section 3 – Full price 12 / Concession 10 / Card Under 35 8 €
Section 4 – Full price 10 / Concession 8 / Card Under 35 5 €
Programme
Programme
MASSIMO KIDS ORCHESTRA
Antonín Dvořák Antonín’s New World (arr. Dizzy Stratford)
Georges Bizet Carmen Suite
Pérez Prado Mambo Jambo
Salvatore Nogara Kids Tango
MASSIMO YOUTH ORCHESTRA
Dmitrij Šostakovič Ouverture festiva in La maggiore op. 96
Gioachino Rossini Sinfonia da La gazza ladra
***
JUNIORCHESTRA DELL’ACCADEMIA NAZIONALE DI SANTA CECILIA
Wolfgang Amadeus Mozart Ouverture da La clemenza di Tito
Pëtr Il’ič Čajkovskij Romeo e Giulietta Ouverture-fantasia in si minore
JUNIORCHESTRA DELL’ACCADEMIA NAZIONALE DI SANTA CECILIA AND MASSIMO YOUTH ORCHESTRA
Pietro Mascagni Intermezzo da Cavalleria rusticana
Giuseppe Verdi Ouverture da I vespri siciliani
John Williams A Tribute to John Williams (arr. Paul Lavender)
Alberto Ginastera Malambo
About
Open Doors for Ukraine IV
Kharkiv National Academic Opera and Ballet Theater “M. V. Lysenko” / Skhid Opera
La Fondazione Teatro Massimo ha il piacere di invitare gli abbonati alla stagione di opere, balletti e concerti 2022/2023 ad assistere al concerto. I biglietti-invito saranno disponibili presso la biglietteria a partire da mercoledì 16 novembre e sino ad esaurimento posti.
Direttore Dmytro Morozov (Artista benemerito dell’Ucraina)
Solisti della Skhid Opera:
Soprani Olesya Misharina, Yulia Piskun, Olena Shyriaieva (Artista benemerita dell’Ucraina), Yulia Antonova
Baritono Mykyta Marynchak
Basso Vyacheslav Strelkov
Orchestra Sinfonica Kharkiv National Academic Opera and Ballet Theater “M. V. Lysenko” / Skhid Opera
Il concerto è parte del Progetto Open Doors for Ukraine, realizzato con il sostegno del Ministero della Cultura.
In collaborazione con:
Ministero della Cultura e della Politica dell’Informazione dell’Ucraina
Kharkiv National Academic Opera and Ballet Theater “M.V. Lysenko” / Skhid Opera
Progetto “SKHID OPERA: OVERCOMING DISTANCE”
Tour “The European Way” all’interno del progetto “Ukraine Now and Forever” (#StandWithUkraine)
Programme
Georges Bizet
Ouverture da Carmen
Giacomo Puccini
“O mio babbino caro” da Gianni Schicchi
Soprano Olesya Misharina
Gioachino Rossini
“La calunnia” da Il barbiere di Siviglia
Basso Vyacheslav Strelkov
Giuseppe Verdi
“Pace, pace, mio Dio” da La forza del destino
Soprano Yulia Piskun
Mykola Lysenko
Ouverture Eroica da Taras Bulba
Mykola Lysenko
“Shcho ty vchynyv?” (Che cosa hai fatto?) da Taras Bulba
Baritono Mykyta Marynchak
Giuseppe Verdi
“Ritorna vincitor” da Aida
Soprano Olena Shyriaieva, Artista benemerita dell’Ucraina
Anatoliy Kos-Anatolsky
“Oy ty, divchyno, z horikha zernya”(Oh tu, fanciulla, gheriglio di noce)
Basso Vyacheslav Strelkov
Leonard Bernstein
“Glitter and be Gay” da Candide
Soprano Yulia Antonova
Camille Saint-Saëns
Baccanale da Samson et Dalila
Georges Bizet
Entr’acte da Carmen
Giacomo Puccini
“Vissi d’arte” da Tosca
Soprano Yulia Piskun
Mykola Lysenko
Canzone di Natalka da Natalka – Poltavka
Soprano Olesya Misharina
Mykola Lysenko
Bezmezhne pole (Campi infiniti) su testo di Ivan Franko
Baritono Mykyta Marynchak
Franz Léhar
“Meine Lippen, sie küssen so heiß” da Giuditta
Soprano Yulia Piskun
Lev Kolodub
Danze n. 3 e 4 dalla Suite n. 1 di Danze popolari ucraine
Amilcare Ponchielli
“Suicidio” da La Gioconda
Soprano Olena Shyriaieva, Artista benemerita dell’Ucraina
Giuseppe Verdi
“È strano! È strano!” da La traviata
Soprano Yulia Antonova
Richard Strauss
Morgen op. 27
Soprano Olesya Misharina
Aram Khachaturian
Hopak dal balletto Gayane
Charles Gounod
“Ah, je ris de me voir si belle” da Faust
Soprano Olesya Misharina
Charles Gounod
Due brani dalla Notte di Valpurga da Faust
Gallery
About
L’ingresso è gratuito con prenotazione obbligatoria via email a amicidelteatromassimo@gmail.com
L’accesso alla Sala Onu avverrà attraverso l’ingresso con scala situato nell’area portineria/ingresso artisti (lato Via Pignatelli Aragona). La sala è raggiungibile anche attraverso il percorso accessibile senza gradini con ascensore (all’arrivo in Teatro rivolgersi al personale di sala per maggiori informazioni).
Le presentazioni delle opere in scena a cura dell’Associazione Amici del Teatro Massimo
Programme
Dario Oliveri
ci parla di Kaiserrequiem con gli autori Omer Meir Wellber e Marco Gandini. Sarà presente il sovrintendente Marco Betta.
About
This event is in Italian.
Tickets (3 euros) available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
Programme
Beatrice Monroy
presents Don Giovanni by Wolfgang Amadeus Mozart with Consuelo Lupo and Rinaldo Clementi
About
This event is in Italian.
Tickets (3 euros) available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
Programme
Beatrice Monroy
presents Orfeo ed Euridice by Christoph Willibald Gluck with Sabrina Petyx and Gigi Borruso
About
This event is in Italian.
Tickets (3 euros) available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
Programme
Beatrice Monroy
presents Evgenij Onegin by Pëtr Il’ič Čajkovskij with Stefania Blandeburgo and Gigi Borruso
About
7 May 2023, at 18:30 |Main Stage, Teatro Massimo
Soprano Carmen Giannattasio
Tenor Pavel Petrov
Piano Giuseppe Cinà
Letter scene from Evgenij Onegin by Pëtr Il’ič Čajkovskij
Lenskij’s aria from Evgenij Onegin by Pëtr Il’ič Čajkovskij
“Ah, non credea mirarti” from La sonnambula by Vincenzo Bellini
The preview event is held to present Pyotr Il’ič Tchaikovsky’s Evgenij Onegin directed by Maestro Omer Meir Wellber, with musical interventions by the artists involved in the performance and on the occasion of the release of the book “The Navel of Dream. An Oneiric Journey” by Vittorio Lingiardi (Einaudi Editore).
Tickets 12 euros (full) / 10 euros (reduced)
An evening lecture to talk about the oneiric and to reason about the ways in which over the centuries we have tried to capture dreams as they faded away: interpreting them, first as prophecies, then as revelations of the unconscious; recording them, as neural randomness, synaptic improvisations; or simply listening to them as involuntary tales reflecting the enigma of psychic life and perhaps of our personality.
For Freud they fulfill a desire and constitute the “royal road to knowing the unconscious”; for Jung they are an autonomous manifestation of the psyche, populated with symbols and archetypes, almost an artistic product; for Bion they are a laboratory, day and night, where knowledge and meaning are generated.
No one can explain what they are for, but no one can resist the temptation to tell and question them. Dreams are like imaginal workshops that elude us and at the same time sustain us, sowing, in the fields of psyche, stories that accompany us for a day or a lifetime. We will spend two dreamlike hours together trying to answer many questions that make up one: why do we dream?
Programme
A dialogue on dreams, music, and psychoanalysis.
between Professor Vittorio Lingiardi and Maestro Omer Meir Wellber.
About
This event is in Italian.
Tickets (3 euros) available at the box-office and online.
You can access the Sala Onu through the stairs located in the stage door area (on the right side of the main entrance, close to Via Pignatelli Aragona).
An accessible pathway, with no steps and the elevator, is also available (ask the staff for guidance).
Programme
Beatrice Monroy
presents Norma by Vincenzo Bellini with Consuelo Lupo and Gigi Borruso
About
March 12th, 2024, at 4:30 p.m. | Sala Onu, Teatro Massimo
Greetings by the mayor of Palermo, professor Roberto La Galla
Introduces and moderates Maurizio Rosso, former classical dancer, Teatro Massimo of Palermo
Speakers:
Giorgio Palumbo, professor of theoretical philosophy, University of Palermo
Maria Antonietta Spinosa, professor of aesthetics, Faculty of Theology of Sicily
Giuseppina D’Addelfio, professor of philosophy of education, University of Palermo
Jean Sebastian Colau, director of dance, Teatro Massimo of Palermo
Conclusions by maestro Marco Betta, superintendent Fondazione Teatro Massimo di Palermo
Admission is free subject to availability.
Access to the Sala Onu will be through the entrance with stairs located in the porter’s lodge/artists’ entrance area (Via Pignatelli Aragona side).
The hall can also be reached via the accessible step-free elevator route (upon arrival at the theater, contact the theatre staff for more information).
Programme
The dance of meaning - between ethical and aesthetic dimensions
We are human because we are involved, from top to bottom, in the game of meaning. It awakens with us every morning giving us a vital charge and, at the same time, a fruitful restlessness; it faces us richly with promise but does not spare us the burden, so many times disconcerting, of the problematic. In any case, it makes us tireless seekers of a “hidden harmony” (Heraclitus) that secretly holds the threads of the wonder and toil of existing. We carry in our innermost being the foreboding and longing for it even when we can no longer recognize the depth of this thirst; in many ways we tend, in fact, to trivialize and betray it, seduced by images of successful life inexorably condemned to disharmony. And yet the demand for meaning, even in an unexpressed way, continues to press in on us, remains a companion on our journey perhaps dormant, repressed, but never erasable. What is at stake is not the mere urge to survive, but being able to sense why it is worthwhile to send our steps forward, sustained by the right and duty to hope. What if we were called to turn them precisely into dance steps, capable of interpreting the gift-competition of being in the world to the fullest? But what call of the beautiful and the good, what interweaving of ethical passion and aesthetic passion would keep them in harmonious motion? Perhaps it is intense and generous vibrations of gratuitousness that give soul and momentum to the dance of meaning.
“The greatest fluency and strength is what a good dancer wants for nourishment-and I wouldn’t know what a philosopher’s spirit could desire more than to be a good dancer. For dance is his ideal and also his art, even, ultimately, his only religiosity, his ‘divine service’ ”
F. Nietzsche (The Gaiety of Science)